007: Moonraker (1979) DVD

Agent 007 (Roger Moore) blasts into orbit in this action-packed adventure that takes him to Venice, Rio De Janeiro and outer space. When Bond investigates the hijacking of an American space shuttle, he and beautiful CIA agent Holly Goodhead (Lois Chiles) are soon locked in a life-or-death struggle against Hugo Drax (Michael Lonsdale), a power-mad industrialist whose horrific scheme may destroy all human life on earth!

Phantasm (1979) DVD

The residents of a small town have begun dying under strange circumstances, leading young Mike (Michael Baldwin) to investigate. After discovering that the Tall Man (Angus Scrimm), the town's mortician, is killing and reanimating the dead as misshapen zombies, Mike seeks help from his older brother, Jody (Bill Thornbury), and local ice cream man Reggie (Reggie Bannister). Working together, they try to lure out and kill the Tall Man, all the while avoiding his minions and a deadly silver sphere.

Previously owned on VHS!

Who's Who (1979) DVD Box Set

Slice-of-life look at class divisions among employees of a brokerage house. Alan, with his portrait of the Queen and love of the peerage; his wife April, who raises cats; youthful and pretentious friends Nigel, Giles, and Anthony, who gather for a wine-soaked dinner party with the chatty and risque Samantha and the mousy Caroline; the plummy Lord and Lady Crouchurst, in a spot of bother needing the help of Francis, a senior partner, to assist with the family’s cash flow. Alan comes home from work to find Mr. Shakespeare doing a photo shoot of one of April’s cats and a wealthy stranger, Miss Hunt, waiting to purchase one. His instincts for sycophantic palaver kick in.

Scum (1979)

Three young men arrive at Borstal by prison van: Carlin, who has taken the blame for his brother's theft of scrap metal; Angel for stealing a car and Davis for escaping from an open institution. Each are allocated a room; Angel and Davis get private rooms while Carlin is sent to a dormitory.

Carlin wants to keep a low profile, having been transferred for assaulting a warder. He meets and befriends Archer, an eccentric and intellectual inmate intent on using non-violent means to cause as much of a nuisance to the staff as possible, and is informed his reputation is already known; Banks, the current "Daddy" (the inmate who controls the wing) is seeking Carlin for a fight to maintain his dominance over the wing.

Carlin struggles to settle into the dormitory, and after having watched the timid and bullied Davis be attacked by Banks, is eventually violently ganged up on and beaten by Banks and his friends in an unprovoked attack.

Carlin eventually gets his revenge on Banks. He uses a makeshift cosh from a long sock with two snooker balls inside to beat Banks's crony, then confronts Banks in the bathroom and brutalises him. He then informs him that he is replacing him as the "Daddy" of the ward, and will 'kill him' if he ever interferes with his or his friends business again. Carlin later acquires power over the adjacent wing of the borstal by administering a vicious beating to the adjacent wing's Daddy.

Life improves for the inmates under Carlin, with victimisation of younger, weaker prisoners prevented, along with racially motivated violence. Carlin gains status with the warders. He persuades them to move him from the dormitory to a single cell in return for an agreement to be responsible in his status as a "natural leader". Goodyear offers Carlin a position of leadership in the borstal to help him develop his leadership skills.

Another inmate, Toyne, learns through a letter from his in-laws that his wife has died, and sinks into despair, eventually slashing his wrists. After being moved to another prison, word reaches the inmates that he has killed himself in a second suicide attempt. Davis, meanwhile, is framed for theft by Eckersley and placed on report. Carlin advises Davis to avoid them; but Davis is subsequently gang-raped by three youths in a potting shed. This is seen by warder Sands who merely smiles at the rape. Davis slips into despair, and kills himself when he slashes himself in his cell at night. Whilst bleeding to death, he presses the button in his cell for help, but is ignored by warder Greaves.

Davis’ suicide causes mass hysteria within the prison, with the inmates refusing to eat their food at dinner. Carlin initiates a full-scale riot in the dinner hall. Carlin, Archer and Toyne's friend Meakin are shown being dragged bleeding and unconscious into solitary confinement after having been beaten by the warders. The Borstal's Governor later informs them the damage to the dinner hall will be repaid through lost earnings. The film ends with the Governor declaring a minute's silent prayer for Davis and Toyne.

Salem's Lot (1979) Miniseries

Salem's Lot (also known as Salem's Lot: The Movie, Salem's Lot: The Miniseries and Blood Thirst) is a 1979 CBS-TV mini-series American television adaptation of the horror novel of the same name by Stephen King. Directed by Tobe Hooper and starring David Soul and James Mason, the plot revolves around a writer returning to his hometown and discovering that its citizens are turning into vampires. Salem's Lot combines elements of both the vampire film and haunted house subgenres of horror.


At a church in Guatemala, a man and a boy, Ben Mears (David Soul) and Mark Petrie (Lance Kerwin), are filling small bottles with holy water. When one of the bottles begins to emit an eerie supernatural glow, Mears tells Mark that "they've found us again." Knowing an evil presence is nearby, they decide to stay to fight it.

Two years earlier, Mears, a successful author, returns after a long absence to his small hometown of Salem's Lot in Maine in the United States. Mears intends to write a book about the Marsten House, an old, ominous property on a hilltop which has a reputation for being haunted, and attempts to rent it. However, Mears finds that another new arrival in town, the mysterious Richard Straker (James Mason), has recently bought the Marsten House. Straker is also in the process of opening an antique shop with his oft-mentioned but always absent business partner, Kurt Barlow. Meanwhile, Mears moves into a boarding house in town run by Eva Miller (Marie Windsor), and develops a romantic relationship with a local woman, Susan Norton (Bonnie Bedelia). He befriends Susan's father, Dr. Bill Norton (Ed Flanders), and reconnects with his kindly former school teacher, Jason Burke (Lew Ayres). Mears tells Burke that he feels the Marsten House is somehow inherently evil, recalling a traumatic childhood experience which took place inside it.

After a large crate is delivered to the Marsten House one night, an increasing number of townspeople begin to disappear or die under strange circumstances. Mears and Straker are the main suspects as they are both new in town, but it eventually becomes clear that the crate contained Straker's business partner, Kurt Barlow (Reggie Nalder) - an ancient master vampire who has come to Salem's Lot after sending Straker to make way for his arrival. Straker kidnaps a young boy, Ralphie Glick (Ronnie Scribner), as an offering to Barlow, while Barlow himself kills local realtor Larry Crockett (Fred Willard). The Glick boy then returns as a vampire to claim his brother, Danny (Brad Savage), who becomes one as well. In turn, the undead Danny infects a gravedigger, Mike Ryerson (Geoffrey Lewis), then attempts to prey on one of his schoolfriends, Mark Petrie. However, Mark is a horror film buff and manages to repel Danny with a cross.

As the vampirism spreads, Mears, Burke, and Dr. Norton gradually realize what is happening to the town and attempt to stop it. Mears is attacked by Ralph and Danny's presumed-dead mother Marjorie Glick (Clarissa Kaye) after she revives on a mortician's table, but defends himself using a makeshift cross. Mark's parents are both killed by Barlow, though Mark is allowed to escape thanks to some assistance from a local priest. Jason Burke, however, suffers a severe heart attack following an encounter with the newly vampirised Mike Ryerson.

Seeking revenge for his parents' deaths, Mark breaks into the Marsten House, and a concerned Susan follows him inside; both are soon captured by Straker. Later, Mears and Dr. Norton enter the house, too, where Straker kills Norton by impaling him on a pair on antlers before he himself is fatally shot by Mears. Afterwards, Mears and the freed Mark find Barlow's coffin in the cellar and destroy him by driving a stake through his heart. Fleeing the other vampires in the house (the infected townsfolk), the two set fire to the Marsten property as they leave, though Susan is nowhere to be found. While the house burns, the wind carries the fire towards the town itself. As he and Mark drive away from Salem's Lot, Mears comments that the fire is a good thing because it will drive all the vampires from their hiding places and purify the town from the evil that has engulfed it.

The story returns to Mears and Mark at the church in Guatemala two years later. It becomes clear that they are on the run from the surviving Salem's Lot vampires, and that their bottles of holy water glow whenever a vampire is nearby. Realising that they have been tracked down yet again, Mears and Mark return to their lodgings to collect their belongings. Once there, Mears finds Susan lying in his bed. Now a vampire, she prepares to bite him as he leans down to kiss her, but instead Mears drives a stake through her heart and kills her. A grief-stricken Mears then leaves with Mark, knowing that the vampires will continue to pursue them.

(1979) Nosferatu: The Vampyre

Nosferatu the Vampyre is a 1979 West German art house vampire film written and directed by Werner Herzog. Its original German title is Nosferatu: Phantom der Nacht ("Nosferatu: Phantom of the Night"). The film is set primarily in 19th-century Wismar, Germany and Transylvania, and was conceived as a stylistic remake of the 1922 German Dracula adaptation, Nosferatu, eine Symphonie des Grauens. It stars Klaus Kinski as Count Dracula, Isabelle Adjani as Lucy Harker, Bruno Ganz as Jonathan Harker, and French artist-writer Roland Topor as Renfield. There are two different versions of the film, one in which the actors speak English, and one in which they speak German.

Herzog's production of Nosferatu was very well received by critics and enjoyed a comfortable degree of commercial success. The film also marks the second of five collaborations between director Herzog and actor Kinski, immediately followed by 1979's Woyzeck. The film had 1,000,000 admissions in Germany and grossed ITL 53,870,000 in Italy. The film was also a modest success in Adjani's home country, taking in 933,533 admissions in France.

Jonathan Harker is an estate agent in Wismar, Germany. His boss, Renfield, informs him that a nobleman named Count Dracula wishes to buy a property in Wismar, and assigns Harker to visit the count and complete the lucrative deal. Leaving his young wife Lucy behind in Wismar, Harker travels for four weeks to Transylvania, to the castle of Count Dracula. He carries with him the deeds and documents needed to sell the house to the Count. On his journey, Jonathan stops at a village, where locals plead for him to stay clear of the accursed castle, providing him with details of Dracula's vampirism. Harker ignores the villagers' pleas as superstition, and continues his journey unassisted ascending the Borgo Pass. Harker arrives at Dracula's castle, where he meets the Count, a strange, ancient, almost rodent-like man, with large ears, pale skin, sharp teeth, and long fingernails.

The lonely Count is enchanted by a small portrait of Lucy and immediately agrees to purchase the Wismar property, especially with the knowledge that he and Lucy would become neighbors. As Jonathan's visit progresses, he is haunted at night by a number of dream-like encounters with the vampiric Count. Simultaneously, in Wismar, Lucy is tormented by night terrors, plagued by images of impending doom. Additionally, Renfield is committed to an asylum after biting a cow, apparently having gone completely insane. To Harker's horror, he finds the Count asleep in a coffin, confirming for him that Dracula is indeed a vampire. At night, Dracula leaves for Wismar, taking with him a number of coffins, filled with the cursed earth that he needs for his vampiric rest. Harker finds that he is locked in the castle, and attempts to escape through a window with a makeshift rope. The rope, fashioned from bedsheets, is not long enough, and Jonathan falls, severely injuring himself. He awakes on the ground the next morning, stirred by the sound of a young gypsy boy playing a violin. He is eventually sent to a hospital and raves about 'black coffins' to doctors, who then assume that the sickness is affecting his mind.

Meanwhile, Dracula and his coffins travel to Wismar by boat, via the Black Sea port of Varna, thence through the Bosphorus and Gibraltar straits and around the entire west European Atlantic coast to the Baltic Sea. He systematically kills the entire crew, making it appear as if they were afflicted with plague. The ghost ship arrives, with its cargo, at Wismar, where doctors – including Abraham Van Helsing – investigate the strange fate of the ship. They discover a log that mentions their perceived affliction with plague. In turn, Wismar is flooded with rats from the ship. Dracula arrives in Wismar with his coffins, and death spreads rapidly throughout the town. When Jonathan is finally transported home, he is desperately ill, and does not appear to recognize his wife. Lucy later has an encounter with Count Dracula; weary and unable to die, he demands some of the love that she gave so freely to Jonathan, but she refuses, much to Dracula's dismay. Now aware that something other than plague is responsible for the death that has beset her once-peaceful town, Lucy desperately tries to convince the townspeople, but they are skeptical and uninterested. She finds that she can vanquish Dracula's evil by distracting him at dawn, but at the expense of her own life. She lures the Count to her bedroom, where he proceeds to drink her blood.

Lucy's beauty and purity distract Dracula from the call of the rooster, and at the first light of day, he collapses to the floor, dead. Van Helsing arrives to discover Lucy, dead but victorious. He then drives a stake through the heart of the Count to make sure Lucy's sacrifice was not in vain. In a final, chilling twist, Jonathan Harker awakens from his sickness, now a vampire, and arranges for Van Helsing's arrest for the murder of Count Dracula. He is last seen traveling away on horseback, garbed in the same fluttering black as Dracula, stating enigmatically that he has much to do.

(1979) Mad Max

Mad Max is a 1979 Australian dystopian action film directed by George Miller, produced by Byron Kennedy, and starring Mel Gibson as "Mad" Max Rockatansky, Joanne Samuel, Hugh Keays-Byrne, Steve Bisley, Tim Burns, and Roger Ward. James McCausland and Miller wrote the screenplay from a story by Miller and Kennedy. The film presents a tale of societal collapse, murder, and vengeance set in a post-apocalyptic Australia, in which a vengeful policeman named Max sets out to hunt down a motorcycle group that killed his wife and child. Principal photography took place in and around Melbourne, Australia, and lasted six weeks.

(1979) The David Attenborough Wildlife Collection: Life On Earth - Life in the Trees

The penultimate instalment investigates the primates, whose defining characteristics are forward-facing eyes for judging distance, and gripping hands with which to grasp branches, manipulate food and groom one another. The programme begins in Madagascar, home to the lemurs, of which there are some 20 different types. Two examples are the sifaka, which is a specialised jumper, and the indri, which has a well-developed voice. Away from Madagascar, the only lemur relatives to have survived are nocturnal, such as the bushbaby, the potto and the loris. The others were supplanted by the monkeys and a primitive species that still exists is the smallest, the marmoset. However, Attenborough selects the squirrel monkey as being typical of the group. Howler monkeys demonstrate why they are so named - their chorus is said to the loudest of any mammal - and their prehensile tails illustrate their agility. However, such tails are not characteristic of monkeys that inhabit Africa and many of them, such as vervets and baboons, are just as happy on the ground. Others have moved elsewhere, and the macaques of Koshima in Japan have learned to wash their food before eating. Most apes have taken to swinging from trees, and their feet are just as versatile as their hands. They include the orangutan, the gibbon, the chimpanzee and the primate with whom Attenborough has arguably his most famous encounter, the mountain gorilla.

(1979) The Dukes of Hazzard: The Complete Second Season

(1979) Castle of Cagliostro

(1979) Caligula

This lavish big-budget epic was the pinnacle of a uniquely Italian subgenre, the historical hardcore gore/porn extravaganza. The star-studded cast, perhaps lured by the high-profile involvement of producer Bob Guccione and screenwriter Gore Vidal, includes such luminaries as John Gielgud, Peter O'Toole, and Helen Mirren. Director Tinto Brass, whose similar treatment of Nazi Germany in Salon Kitty won him the job, did his best with the mammoth enterprise, but numerous production problems and re-edits took their toll on the finished product. When Caligula works best, it works because of Malcolm McDowell, whose crazed portrayal of the title Emperor is the embodiment of villainous corruption. McDowell raises his performance level to match the gaudy spectacle around him, which led to charges of overacting, but there are moments when he is absolutely riveting. Some of the cast doesn't fare as well, as O'Toole makes a particularly unsubtle Tiberius. The sex is graphic and steamy, particularly a feverish lesbian interlude between Penthouse Pets Lori Wagner and Marjorie Thorsen (using the pseudonym "Anneka di Lorenzo"), and the various carnival freaks used as atmosphere imbue the film with a grotesque, Fellini-like opulence. There are many memorable scenes and a magnificent score by Paul Clemente, but the heady brew of historical epic, hardcore sex, and gory violence proved overwhelming to many viewers. Still, Gore Vidal's script is surprisingly accurate, and manages to be entertainingly vulgar while bringing a rather loathsome slice of human history to vivid life, warts and all. The more explicit scenes were directed by Bob Guccione and Giancarlo Lui, causing both Vidal and Brass to remove their names from the credits. 

Directed By: Tinto Brass, Bob Guccione, Giancarlo Lui 

(1979) Ashanti (Promotional DVD)

(1979) Apocalypse Now: Redux

One of a cluster of late-1970s films about the Vietnam War, Francis Ford Coppola's Apocalypse Now adapts the Joseph Conrad novella Heart of Darkness to depict the war as a descent into primal madness. Capt. Willard (Martin Sheen), already on the edge, is assigned to find and deal with AWOL Col. Kurtz (Marlon Brando), rumored to have set himself up in the Cambodian jungle as a local, lethal godhead. Along the way Willard encounters napalm and Wagner fan Col. Kilgore (Robert Duvall), draftees who prefer to surf and do drugs, a USO Playboy Bunny show turned into a riot by the raucous soldiers, and a jumpy photographer (Dennis Hopper) telling wild, reverent tales about Kurtz. By the time Willard sees the heads mounted on stakes near Kurtz's compound, he knows Kurtz has gone over the deep end, but it is uncertain whether Willard himself now agrees with Kurtz's insane dictum to "Drop the Bomb. Exterminate them all." Coppola himself was not certain either, and he tried several different endings between the film's early rough-cut screenings for the press, the Palme d'Or-winning "work-in-progress" shown at Cannes, and the final 35 mm U.S. release (also the ending on the video cassette). The chaotic production also experienced shut-downs when a typhoon destroyed the set and star Sheen suffered a heart attack; the budget ballooned and Coppola covered the overages himself. These production headaches, which Coppola characterized as being like the Vietnam War itself, have been superbly captured in the documentary, Hearts of Darkness: A Filmmaker's Apocalypse. Despite the studio's fears and mixed reviews of the film's ending, Apocalypse Now became a substantial hit and was nominated for eight Academy Awards, including Best Picture, Best Director, Best Supporting Actor for Duvall's psychotic Kilgore, and Best Screenplay. It won Oscars for sound and for Vittorio Storaro's cinematography. This hallucinatory, Wagnerian project has produced admirers and detractors of equal ardor; it resembles no other film ever made, and its nightmarish aura and polarized reception aptly reflect the tensions and confusions of the Vietnam era.

Directed By: Francis Ford Coppola

(1979) All Quiet on the Western Front

At the start of World War I, Paul Baumer (Richard Thomas) is a young German patriot, eager to fight. Indoctrinated with propaganda at school, he and his friends eagerly sign up for the army soon after graduation. But when the horrors of war soon become too much to bear, and as his friends die or become gravely wounded, Paul questions the sanity of fighting over a few hundreds yards of war-torn countryside. The film is based on the classic novel of the same name by Erich Maria Remarque.

(1979) Alien

In deep space, the crew of the commercial starship Nostromo is awakened from their cryo-sleep capsules halfway through their journey home to investigate a distress call from an alien vessel. The terror begins when the crew encounters a nest of eggs inside the alien ship. An organism from inside an egg leaps out and attaches itself to one of the crew, causing him to fall into a coma.