Showing posts with label (1968). Show all posts
Showing posts with label (1968). Show all posts

Saturday, 15 October 2016

Witchfinder General (1968) DVD


A disturbing tale of evil set during the English Civil War. When Matthew Hopkins is appointed Witchfinder General by the Puritans under Cromwell, he is empowered to travel the countryside with his henchmen and collect a fee for each witch from whom he extracts a confession - a policy which is exploited to the full.

Thursday, 28 July 2016

(1968) Head

Head is a 1968 American adventure musical satirical film written by Jack Nicholson and Bob Rafelson, directed by Rafelson, starring television rock group The Monkees (Davy Jones, Micky Dolenz, Peter Tork and Michael Nesmith), and distributed by Columbia Pictures.

During production, one of the working titles for the film was Changes, which was later the name of an unrelated album by the Monkees. Another working title was Untitled. A rough cut of the film was previewed for audiences in Los Angeles in the summer of 1968 under the name Movee Untitled.
The film featured Victor Mature as "The Big Victor" and cameo appearances by Nicholson, Teri Garr, Carol Doda, Annette Funicello, Frank Zappa, Sonny Liston, Timothy Carey, Percy Helton, and Ray Nitschke. Also appearing on screen in brief non-speaking parts are Dennis Hopper and film choreographer Toni Basil.

Head begins at the dedication of a bridge. A politician, the mayor, is trying to offer a dedicatory speech but is impeded by recurring barrages of microphone feedback. As he is about to cut the red ribbon and open the bridge, the Monkees interrupt the ceremony by running, as if in a panic, through the assembled officials as horns and sirens blare. The rest of the film consists of a series of non-linear vignettes highlighting the unpleasant aspects of being public figures. The film offers conflict and resolution, but is essentially plotless; as a chant by the Monkees early in the film relates: "We hope you like our story/Although there isn't one/That is to say, there's many/That way, there is more fun!" Head is a stream of consciousness stringing-together of musical numbers, satires of film genres, psychedelic cinematography, and references to then-topical issues such as the Vietnam War and drugs. The action includes recurring scenes, such as the group being trapped in a black box, a desert location, and a gigantic Victor Mature.

(1968) Skidoo

Skidoo is an American comedy film directed by Otto Preminger, starring Jackie Gleason and Carol Channing, written by Doran William Cannon and released by Paramount Pictures on December 19, 1968. The screenplay satirizes late 1960s counterculture lifestyle and its creature comforts, technology, anti-technology, hippies, free love and then-prevalent use of the mind-altering drug LSD.

Along with top-billed Gleason and Channing, Skidoo also stars Frankie Avalon, Fred Clark (who died on December 5, two weeks before the film's release), Michael Constantine, Frank Gorshin, John Phillip Law, Peter Lawford, Burgess Meredith, George Raft, Cesar Romero, Mickey Rooney and Groucho Marx playing "God" (making, at age 77, his final film appearance). Singer-songwriter Harry Nilsson, who wrote the score and receives credit as a member of the cast, appears in a few brief scenes with Fred Clark, as both portray prison tower guards swaying to Nilsson's music while under the influence of LSD.

(1968) Psych-Out


Psych-Out (1968) is a counterculture-era psychedelic film about hippies, psychedelic music, and recreational drugs, produced and released by American International Pictures. Originally scripted as The Love Children, the title when tested caused people to think it was about bastards, so Samuel Z. Arkoff came up with the ultimate title based on a recent successful reissue of Psycho.

Director Richard Rush's cut came in at 101 minutes and was edited to 82 minutes by the producers. This version is the one released on DVD. For some reason, when HBO Video released the film on VHS, they used a 98 minutes long version. On February 17, 2015 there will be released a 101-minute Director's cut on DVD and Blu-ray DVD. The majority of the songs in the movie and on the original soundtrack album were performed by the Storybook. This credit is never mentioned on movie posters and articles. They were a local band from the San Fernando Valley.

Jenny (played by Susan Strasberg) is a deaf runaway who arrives in San Francisco's Haight-Ashbury district, searching for her brother Steve. She encounters the aptly named Stoney (Jack Nicholson) and his hippie band "Mumblin' Jim" in a coffee shop. The boys are sympathetic, especially when they discover that she is deaf and can only understand others through lip reading. They hide her from the police and help her look for her brother. He has left his apartment with no forwarding address; she has only a postcard from him which reads "Jess Saes: God is alive and well and living in a sugar cube". Meanwhile, the boys are trying hard to improve their music and get more visibility, and are approached by a promoter who says he can arrange for them to perform at "the Ballroom", clearly the Avalon Ballroom or the Fillmore West.

The group discovers an artist friend, Warren (Henry Jaglom), the man who designs the psychedelic posters advertising the band, freaking out badly in his gallery, apparently on STP. He sees everyone, including himself, as walking dead and tries to cut off his own (to him festering) hand with a circular saw. While they help him, Jenny notices a large sculpture resembling abstract flames in a corner and recognizes it as her brother's work. The gallery owner says the artist is known as "The Seeker", a kind of itinerant preacher. He suggests that they ask ex-band member Dave (Dean Stockwell) about The Seeker's current whereabouts.
Dave lives in the attic of a downtown warehouse. He is less than thrilled to see Stoney, but sympathetic to Jenny. The audience learns that Dave left the band because he felt they were too concerned with worldly success and "games", rather than serious focus on music for its own sake.

Dave's information leads the gang to a junkyard, where the mystery of "Jess Saes" is revealed; it is a sign reading "Jesus Saves", with some letters missing. The "sugar cube" slogan is painted on the side of a car which Jenny recognizes as her brother's. However, a group of thugs who frequent the junkyard accost the group and reveal that they have it in for The Seeker, for reasons that are never fully explained except that they dislike his street preaching and his themes of love and peace (perhaps they are Vietnam War veterans). They threaten to rape Jenny. Violence ensues, and the group barely escape with their lives.

Jenny's friendship with Stoney has become sexual (she does not know that he has a reputation for one-night stands and a refusal to commit to or care about any woman). She attends a mock funeral staged by a large group of hippies, with background music by The Seeds; the theme of their play is that death is not the end, and that love and a refusal to hurt others are what keep us alive. She stays with Stoney in a crowded old house, and finds that everyday hippie life is less than ideal. The residents are all involved in contemplation (with or without drugs), sex, sleeping, dancing, or decorating the place, but nobody cares enough to do any actual cleaning or maintenance. When Jenny tries to wash the mountain of dishes in the kitchen, she finds that the plumbing is broken, but everybody just continues dancing. Frustrated, she interrupts Stoney's band practice to inform him she is going to take a walk. He answers angrily that he has no leash on her. Dave, sitting quietly in the next room, overhears this, and is clearly distressed at the way Stoney treats Jenny. Later, Stoney goes out too, concerned in spite of himself. He ends up at the art gallery, where he hears breaking glass and slips inside to see what is happening.

The Seeker (Bruce Dern) has returned to the art gallery to pick up his sculpture. Challenged by Stoney, he pleads that the work should not be touched; it is actually not meant to be art, but a shrine. He believes that God spoke to him and asked him to create the piece. Told that Jenny is looking for him, he is glad, but he feels it would be best not to see her yet; he is on drugs and wants to be sober when they meet. He further explains that Jenny's deafness is pathological; their mother was cruelly abusive, and burned Jenny's beloved toys. Jenny was violently traumatized and apparently had a stroke; she was deaf from that moment.

The performance at the Ballroom is a success; Mumblin' Jim play, along with the Strawberry Alarm Clock. Steve the Seeker shows up, hoping to see Jenny, but the junkyard thugs are also present (????) and chase him back to his home. Steve runs right behind Jenny without her noticing, since she hears nothing. The group throws a party after the show. Dave appears and remonstrates Stoney over his ambition for commercial success, as well as his cavalier treatment of Jenny. When Stoney saunters off with another woman, Dave stays with Jenny to console her. She sees him put some STP in his fruit juice. He offers himself to her, but Stoney charges in and angrily shouts at Jenny, calling her a "bitch". Heartbroken, Jenny accepts Dave's glass of fruit juice and drinks nearly all of it.

She tells Dave she was only trying to find her brother, and Dave pulls a note from his pocket: "God is in the flame," and an address. Jenny runs out and takes a streetcar in hopes of meeting Steve. Later, Stoney looks for Jenny, and he rouses Dave, who is tripping on STP, to help find her. Half out of his mind, the Seeker attempts to enter his house, but the junkyard thugs pursue him; he eludes them and arrives in his room, where he lights a fire inside his shrine. Soon the entire house is ablaze. Jenny arrives to find a crowd gathering near the house; she runs in just in time to see him standing in the middle of the flames, absorbed in prayer; she calls to him and he sees her, but merely smiles and waves.

In her grief and confusion, she runs up to the roof, hallucinating wildly of flames and explosions. She apparently jumps into a reservoir. The screen changes to a scene with fire bombs heading towards Jenny barely missing her. Now, Jenny is suddenly standing in the middle of the Golden Gate Bridge, cars coming at her from both directions with their horns blaring. She has her hands over her ears, indicating perhaps that she has regained her hearing, although this is never explicitly stated. Dave and Stoney find her, and Dave, confused and impulsive from the potent psychedelic, runs onto the highway; he shoves her out of the way of an oncoming car and is struck and killed. As he dies, he murmurs that he hopes this, too, will be a good trip. Sickened and angry, Jenny tries to leave, but Stoney grabs her and pulls her into an embrace. The film ends with the two holding each other and crying, while an image of the mock funeral reappears.

(1968) Danger Diabolik


Danger: Diabolik (Italian: Diabolik) is a 1968 Italian-French action film directed by Mario Bava based on the Italian comic character Diabolik. The film is about a criminal named Diabolik (John Phillip Law) who plans large-scale heists for his girlfriend Eva (Marisa Mell). Diabolik is trailed in pursuit from Inspector Ginco (Michel Piccoli) who blackmails the gangster Ralph Valmont (Adolfo Celi) into catching Diabolik for him.

In 2008, Danger: Diabolik was chosen by Empire magazine as one of The 500 Greatest Movies of All Time.

After an armored car leaves the bank with ten-million dollars, it is attacked on route by Diabolik (John Phillip Law) who manages to steal the money and escape with his partner Eva Kant (Marisa Mell). Leaving the money in their underground hideout, Diabolik and Eva attend a press conference held by the Minister of the Interior which they disrupt by releasing laughing gas. Due to the high level of crime, the death penalty is brought back. The police cannot find Diabolik but gang leader Valmont (Adolfo Celi) suffers at their hands because of a clampdown due to Diabolik's actions. Realising things can get only worse because of Diabolik's crime spree, Valmont contacts Inspector Ginco (Michel Piccoli) and makes a bargain to catch Diabolik alive for the police. In his hideout, Diabolik decides to steal the famous Aksand emerald necklace for Eva's birthday from the Saint Just Castle. Valmont builds up an identikit picture of Eva and circulates it as a means of capturing Diabolik. Diabolik scales the walls of Saint Just Castle where he finds the police are waiting, Diabolik manages to steal the necklace by fooling the police officers with mirrors on the road and dummy decoys of himself.

Valmont has made further plans to lure Diabolik out of hiding by having one of his henchmen kidnap Eva. To rescue her, Diabolik boards Valmont's airplane, along with the ten million dollars and emerald necklace as a trade for Eva. Diabolik is ejected from the plane but manages to grab Valmont just before his plane explodes from a bomb that Diabolik had placed earlier. Diabolik manages to rescue Eva as the police close in on them. Eva makes her escape as Diabolik kills Valmont, is trapped and takes a golden capsule. The police find Diabolik and proclaim him dead. Later while the police are holding a conference on the death of Diabolik, he is about to be autopsied when he returns to life. Diabolik reveals that he has faked his death through a technique taught to him by Tibetan lamas. However, If he does not get the antidote within 12 hours, he will die.

Posing as a nurse, Eva wheels Diabolik past groups of people where Diabolik sneaks into a morgue where Valmont's body has been cremated. Diabolik collects the 11 emeralds from Valmont's ashes and escapes. The police find out that Diabolik is not dead and offer a million dollar reward for Diabolik. Diabolik reacts by blowing up tax offices. Without tax revenue, the country is in debt and sells off some gold to buy currency. The 20 tons of gold is melted into one solid block to make it difficult to steal. Diabolik and Eva divert the train by leaving a burning truck on the tracks having it re-route to a bridge track where a bomb is placed. After being triggered when the train arrives, the gold falls into the water below where Diabolik and Eva collect it to return it to their hideout.

The steel casket containing the gold had been irradiated, which allows the police to trace it. They close in on Diabolik who is melting the gold, to put it into ingots. Being shot at by the police, Diabolik is unable to control the heating of the gold which leads to Diabolik and the cavern being covered in molten gold. Again, Diabolik is believed to be dead, with his heat-proof suit now covered in hardened gold. The police seal off the place to later recover it. Eva is allowed to pay her respects to the dead Diabolik, who winks at her.



Friday, 24 June 2016

(1968) Rosemary's Baby

A young wife comes to believe that her offspring is not of this world. Waifish Rosemary Woodhouse (Mia Farrow) and her struggling actor husband Guy (John Cassavetes) move to a New York City apartment building with an ominous reputation and odd neighbors Roman and Minnie Castavet (Sidney Blackmer, Ruth Gordon). When Rosemary becomes pregnant she becomes increasingly isolated, and the diabolical truth is revealed only after Rosemary gives birth.

Monday, 20 June 2016

(1968) Night of the Living Dead

Barbra and Johnny Blair drive to rural Pennsylvania to visit their father's grave. Barbra is attacked by a strange man walking in the cemetery. Johnny tries to rescue his sister, but the man throws him against a gravestone; Johnny strikes his head on the stone and is killed. After a mishap with the car, Barbra escapes on foot, with the stranger in pursuit, and later arrives at a farmhouse, where she discovers a woman's mangled corpse. Fleeing from the house, she is confronted by strange menacing figures like the man in the graveyard. Ben arrives and takes her into the house, driving the "monsters" away and sealing the doors and windows. Throughout the night, Barbra slowly descends into a stupor of shock and insanity.

Ben and Barbra are unaware that the farmhouse has a cellar, housing an angry married couple, Harry and Helen Cooper, along with their daughter Karen. They sought refuge after a group of the same monsters overturned their car. Tom and Judy, a teenage couple, arrived after hearing an emergency broadcast about a series of brutal murders. Karen has fallen seriously ill after being bitten by one of the monsters. They venture upstairs when Ben turns on a radio, while Barbra awakens from her stupor. Harry demands that everyone hide in the cellar, but Ben deems it a "deathtrap" and continues upstairs, to barricade the house with Tom's help.

Radio reports explain that a wave of mass murder is sweeping across the eastern United States. Ben finds a television, and they watch an emergency broadcaster report that the recently deceased have become reanimated and are consuming the flesh of the living. Experts, scientists, and the United States military fail to discover the cause, though one scientist suspects radioactive contamination from a space probe. It returned from Venus, and was deliberately exploded in the Earth's atmosphere when the radiation was detected.

Ben plans to obtain medical care for Karen when the reports list local rescue centers offering refuge and safety. Ben and Tom refuel Ben's truck while Harry hurls molotov cocktails from an upper window at the ghouls. Judy follows him, fearing for Tom's safety. Tom accidentally spills gasoline on the truck, setting it ablaze. Tom and Judy try to drive the truck away from the pump, but Judy is unable to free herself from its door, and the truck explodes, killing them both; the zombies promptly eat the charred remains.

Ben returns to the house but is locked out by Harry. Eventually forcing his way back in, Ben beats Harry, angered by his cowardice, while the zombies feed on the remains of Tom and Judy. A news report reveals that only a gunshot or heavy blow to the head can stop them, aside from setting the "reactivated bodies" on fire. It also reports that posses of armed men are patrolling the countryside to restore order.

The lights go out, and the zombies break through the barricades. Harry grabs Ben's rifle and threatens to shoot him. In the chaos, the two fight and Ben manages to wrestle the gun away and shoots Harry. Harry stumbles into the cellar and collapses next to Karen, mortally wounded. She has also died from her illness. The ghouls try to pull Helen and Barbra through the windows, but Helen frees herself. She returns to the refuge of the cellar to see Karen is reanimated and eating Harry's corpse. Helen is frozen in shock, and Karen stabs her to death with a masonry trowel. Barbra, seeing Johnny among the zombies, is carried away by the horde and devoured. As the zombies overrun the house, Ben fights off Karen and seals himself inside the cellar, where Harry and Helen are reanimating, and he is forced to shoot them.

The next morning, Ben is awakened by the posse's gunfire outside. Upon venturing upstairs, the posse mistake him for one of the ghouls and kill him with a shot to the forehead. Ben's body is thrown onto a pile of corpses which are set ablaze.

Thursday, 19 May 2016

(1968) Dracula Has Risen from the Grave

The vampire count (Christopher Lee) bites a tavern waitress and a monsignor's (Rupert Davies) niece (Veronica Carlson), then falls on something sharp.

Wednesday, 18 May 2016

The Devil Rides Out (1968) DVD

When the Duc de Richleau (Christopher Lee) and Rex Van Ryn (Leon Greene) arrive at a fashionable party thrown by de Richleau's protégé, Simon Aron (Patrick Mower), they soon realize that the party is in fact a gathering of a Satanic cult, led by the high priest Mocata (Charles Gray), that plans to initiate the beautiful Tanith (Nike Arrighi) that night. It's up to de Richleau and Van Ryn to defeat the devil-worshiping Mocata and save innocent young Tanith and the others from a terrible fate.

Monday, 16 May 2016

(1968) Bullitt

Senator Walter Chalmers (Robert Vaughn) is aiming to take down mob boss Pete Ross (Vic Tayback) with the help of testimony from the criminal's hothead brother Johnny (Pat Renella), who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt (Steve McQueen). When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.

Tuesday, 4 August 2015

(1968) The Beatles: Yellow Submarine

Yellow Submarine is an animated meandering journey filled with puns and dry British humor, where psychedelic music videos take precedent over any linear story. What little there is of a plot, however, concerns a vibrantly colored place called Pepperland that resembles the album cover for Sgt. Peppers Lonely Hearts Club Band come to life. The swirling animation is a mixture of pop-culture images and modern artistic styles brought loosely together with a naïve antiwar message and some clever political commentary. The Blue Meanies take over Pepperland, draining it of all its color and music, firing anti-music missiles, bonking people with green apples, and turning the inhabitants to stone by way of the pointed finger of a giant white glove. As the only survivor, the Lord Admiral escapes in the yellow submarine and goes to London to enlist the help of the Beatles (voiced by actors). The charming and innocent boys travel through strange worlds and meet bizarre characters, including the tagalong Nowhere Man. Several blissed-filled musical sequences and drug references later, the Beatles drive out the Blue Meanies and restore Pepperland to tranquility armed with only music, love, and witty remarks.

Directed By:  George Dunning, Dick Emery

Friday, 31 July 2015

2001: A Space Odyssey (1968) DVD

A mind-bending sci-fi symphony, Stanley Kubrick's landmark 1968 epic pushed the limits of narrative and special effects toward a meditation on technology and humanity. Based on Arthur C. Clarke's story The Sentinel, Kubrick and Clarke's screenplay is structured in four movements. At the "Dawn of Man," a group of hominids encounters a mysterious black monolith alien to their surroundings. To the strains of Strauss's 1896 Also sprach Zarathustra, a hominid invents the first weapon, using a bone to kill prey. As the hominid tosses the bone in the air, Kubrick cuts to a 21st century spacecraft hovering over the Earth, skipping ahead millions of years in technological development. U.S. scientist Dr. Heywood Floyd (William Sylvester) travels to the moon to check out the discovery of a strange object on the moon's surface: a black monolith. As the sun's rays strike the stone, however, it emits a piercing, deafening sound that fills the investigators' headphones and stops them in their path. Cutting ahead 18 months, impassive astronauts David Bowman (Keir Dullea) and Frank Poole (Gary Lockwood) head toward Jupiter on the spaceship Discovery, their only company three hibernating astronauts and the vocal, man-made HAL 9000 computer running the entire ship. When the all-too-human HAL malfunctions, however, he tries to murder the astronauts to cover his error, forcing Bowman to defend himself the only way he can. Free of HAL, and finally informed of the voyage's purpose by a recording from Floyd, Bowman journeys to "Jupiter and Beyond the Infinite," through the psychedelic slit-scan star-gate to an 18th century room, and the completion of the monolith's evolutionary mission.With assistance from special-effects expert Douglas Trumbull, Kubrick spent over two years meticulously creating the most "realistic" depictions of outer space ever seen, greatly advancing cinematic technology for a story expressing grave doubts about technology itself. Despite some initial critical reservations that it was too long and too dull, 2001 became one of the most popular films of 1968, underlining the generation gap between young moviegoers who wanted to see something new and challenging and oldsters who "didn't get it." Provocatively billed as "the ultimate trip," 2001 quickly caught on with a counterculture youth audience open to a contemplative (i.e. chemically enhanced) viewing experience of a film suggesting that the way to enlightenment was to free one's mind of the U.S. military-industrial-technological complex.

Directed By: Stanley Kubrick