WOODLAND is an exploration of non-linear film making, memory and fantasy
are given just as much importance and immediacy as the present. As a
young girl comes to terms with a trauma she has suffered, concepts of
time are stretched, subverted and destabilised. Through the absence of
dialogue, both naturalistic and non-naturalistic sounds are heightened
by the sense of place, time, mood and the way in which the story is
told. Similarly the camera moves fluidly between subjective and
objective stances. The viewer travels through a familiar and yet
indistinguishable world where the lines between memory, fantasy and
reality converge.
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