A young boy named Bazil loses his military father, who is blown up while attempting to defuse a land mine in the Western Sahara. Thirty years later, Bazil (Dany Boon) is working in a video rental shop in Paris
when a stray bullet from a shoot-out in the street enters his forehead.
Doctors save him but decide against removing the bullet, though it may
kill him at any moment, for fear of damaging his brain further. Bazil
returns to his workplace to find that he has been replaced. As he
leaves, his replacement gives him a shell casing that she found from the
bullet that had struck him.
Bazil, who has miming and sign language talents, becomes a homeless busker until he is taken in by a man named Slammer (Jean-Pierre Marielle)
to Tire-Larigots, a shelter carved under a mountain of recycling
material. Bazil is befriended by the other scavenging dwellers: Elastic
Girl (Julie Ferrier), a contortionist, Mama Chow (Yolande Moreau), who feeds and mothers the crew, Remington (Omar Sy) a former ethnographer from Africa who speaks entirely in old-fashioned language clichés, Buster (Dominique Pinon), a former human cannonball,
Tiny Pete (Michel Crémadès), an artist who designs moving sculptures
from scavenged trash, and Calculator (Marie–Julie Baup), a young woman
who measures and calculates things with a glance. Slammer himself is a
former convict who miraculously survived an execution by guillotine.
While scavenging for trash, Bazil discovers the offices and factories
of the firms that manufactured the landmine that orphaned him and the
bullet he was shot with, on opposite sides of a street. He enters the
latter to ask for compensation but is thrown out violently on orders of
CEO, Nicolas Thibault de Fenouillet. He then infiltrates the other
company and manages to hear a speech by its CEO, François Marconi.
Bazil follows Marconi home and hangs a microphone down his chimney.
He hears a phone conversation arranging a meeting between Marconi and
associates of Omar Boulounga, an African dictator seeking arms for an
upcoming violent conflict. Mama Chow demands to know what Bazil is up to
and the crew decides to help him exact revenge on the two arms dealers.
They first incapacitate Boulounga's men by planting drugs on them in an
airport.
Remington, claiming to be Boulounga's right-hand man, meets with De
Fenouillet and proposes the same deal which was offered to Marconi.
Later, Remington calls each of Marconi and De Fennouillet and angrily
cancels the deal. He tells Marconi that he will be dealing with De
Fennouillet, and tells De Fennouillet that he will be dealing with
Marconi. The two CEOs are furious and declare war on each other. Bazil
and his friends break into Marconi's house and steal and replace his
luxury cars, and steal De Fenouillet's collection of body-part relics
from historical persons. They also steal and destroy a truck full of
bombs from Marconi's plant. Marconi assumes that De Fennouillet is
responsible, and arranges to sabotage a machine causing a massive
explosion in De Fennouillet's factory. Next, Elastic Girl breaks into
Marconi's apartment searching for blackmail material while Bazil waits
and listens on the roof.
Marconi arrives unexpectedly, and Elastic Girl is forced to hide in
the refrigerator. De Fenouillet sends an armed team to attack Marconi,
but Boulounga's men arrive first and take him hostage. Boulounga's men
are about to execute Marconi when they are shot by De Fennouillet's men.
De Fenouillet is, in turn, about to murder Marconi when a henchman
captures Bazil on the roof and brings him down. The two executives
recognise him and figure out what has happened. They decide to take
Bazil to a safe house in order to question him. Elastic Girl comes out
of her hiding place, and calls in the rest of the crew to rescue Bazil.
After a car chase through Paris, Bazil is saved and Marconi and De
Fennouillet are captured. The two CEOs are bound and hooded, and they
hear a long plane flight followed by a ride in a car. When they are
allowed to see again, they are in the middle of the desert. In a scene
inspired by Sergio Leone's Once Upon a Time in the West,
De Fennouillet is sitting on Marconi's shoulders with a live grenade in
his mouth, while Marconi stands on a live land mine. A small crowd
wearing desert outfits sit watching them, holding photographs of
landmine victims. The men beg for mercy and confess to their roles in
supplying arms to the IRA, ETA, and Darfur combatants.
Marconi and De Fenouillet fall and discover that the grenade and mine
are not armed. The small audience is revealed to be Bazil and his
friends in disguise, who have been recording the event with a video
camera. In a flashback inspired by Brian De Palma's Mission Impossible,
we see that Bazil and his friends simulated the entire plane flight
with various sound effects, and the desert setting is simply a clearing
in a Paris suburb. Bazil and Calculator upload their video to YouTube,
and Marconi and De Fenouillet are publicly disgraced. The film ends
with a dialogue by Remington how Bazil and the Elastic Girl get
together.
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