(1994) Crumb

Crumb is a 1994 documentary film about the noted underground cartoonist Robert Crumb (R. Crumb) and his family. Directed by Terry Zwigoff and produced by Lynn O'Donnell, it won widespread acclaim. It was released in the USA on April 28, 1995, having been screened at film festivals the previous year. Jeffery M. Anderson (later critic for the San Francisco Examiner) placed the film on his list of the ten greatest films of all time, labeling it "the greatest documentary ever made."

Crumb is about the experiences and characters of Robert Crumb and his family, particularly his brothers, Maxon and Charles, as well as Robert's wife Aline Kominsky-Crumb and his children. (Crumb's sisters declined to be interviewed.)

The movie chronicles Crumb's career, highlighting his creations "Keep On Truckin'," Fritz the Cat, and his pioneering role in the genesis of underground comix. Interviews with his family members and ex-girlfriends (such as Kathy Goodell), and commentary from critics like Robert Hughes and Trina Robbins, as well as selections from Crumb's vast artist output, shed light on Crumb's psychology and darkly cynical perspective on life.

Portraits emerge as well of older brother Charles, who committed suicide before the film was released, and youngest brother Maxon, a panhandler who painted to assuage his inner demons. Though filmmaker Zwigoff had the consent of the Crumb brothers, some questioned the ability of the more disturbed brothers to provide that consent. The involvement of Charles and Maxon, which Zwigoff felt was just as important to Robert's story as anything else, led Zwigoff to title the film Crumb to imply the importance of all three brothers.

Robert Crumb initially did not want to make the film, but eventually agreed. There was a rumor, accidentally created by Roger Ebert, that Terry Zwigoff made Crumb cooperate by threatening to shoot himself. Ebert later clarified this in the audio commentary of the film's Criterion Collection re-release. Ebert notes that “it may be true that Zwigoff’s life was saved because he did make the film.”

During the nine years that it took to make the documentary Zwigoff said he was “averaging an income of about $200 a month and living with back pain so intense that I spent three years with a loaded gun on the pillow next to my bed, trying to get up the nerve to kill myself.”