(1965) Repulsion

Repulsion is a 1965 British psychological horror film directed by Roman Polanski, and starring Catherine Deneuve, Ian Hendry, John Fraser and Yvonne Furneaux. The screenplay was based on a scenario by Gérard Brach and Polanski. The plot focuses on a young woman who is left alone by her vacationing sister at their apartment, and begins reliving traumas of her past in horrific ways. Shot in London, it was Polanski's first English-language film and second feature-length production, following Knife in the Water (1962).

The film debuted at the 1965 Cannes Film Festival before receiving theatrical releases internationally. Upon its release, Repulsion received considerable critical acclaim and currently is considered one of Polanski's greatest movies. It was the first installment in Polanski's "Apartment Trilogy", followed by Rosemary's Baby (1968) and The Tenant (1976), both of which are also horror films that take place primarily inside apartment buildings. The film was nominated for a BAFTA Award for Gilbert Taylor's cinematography.

Carol Ledoux (Catherine Deneuve), a Belgian manicurist, lives in Kensington, London, with her older sister Helen (Yvonne Furneaux). Carol practically sleepwalks through her days, and interacts awkwardly with men. A would-be suitor, Colin (John Fraser), is flummoxed by her behaviour and she rebuffs his advances, disgusted by them. She hides her head in her pillow against her sister's cries of sexual pleasure with her lover, Michael (Ian Hendry). When Helen leaves on a holiday to Italy with Michael, Carol appears even more distracted at work, gets sent home, stays in the apartment, leaves a raw, skinned rabbit out to rot, and begins to hallucinate, first seeing the walls cracking, a man breaking in and molesting her, then hands reaching out to grab and attack her. Colin breaks into her apartment when she refuses to acknowledge his adoration and he apologizes for his transgression. When he says he wants to "be with [her] all the time," she bludgeons him to death with a candlestick, dumps the body into the overflowing bathtub, and nails the broken door shut.

Later, the imperious landlord (Patrick Wymark) breaks in, looking for the late rent payment. Carol pays him and sits on the sofa, staring into space. He remarks on the decaying state of the apartment, and attempts to ingratiate himself by bringing her a glass of water as he leers at her in her nightgown. When he first propositions her, then sexually assaults her, she gets away. But he comes at her again and she slashes him to death with a straight razor. When Helen and Michael return, they discover the dead bodies. Michael runs for help. Helen, distraught, finds Carol hiding under the bed in a catatonic state. Neighbors arrive - curious, concerned and shocked. Michael returns and carries Carol out, staring creepily at her wide-open eye, face and body. A family photograph on the floor shows Carol as a girl, turned towards an adult male figure in the photograph with a look of loathing.